Dance Till They Come is the room after dark, filmed.
One DJ, one camera, one take. We push the tables back, point a single lens at the booth and record the night as it happens — no edits, no second passes. USB, vinyl, hybrid; whatever the guest brings. The crowd is in frame because the crowd is the set.
The next morning it goes up on YouTube, exactly as it sounded in the room — a slow archive of Saturdays in Fethiye.
